Study of Movement 25

Black Movement No. 9

Black Movement No. 11

Black Movement No. 17

Black Movement No. 20

Black Movement No. 23

Black Movement No. 25

Black Movement No. 27

Black Movement No. 28

Black Movement No. 29

Black Movement No. 31

Black Movement No. 33

Black Movement No. 34

Dynamics of Movement No. 7

Black movement on paper No. 1

Black Movement on Paper No. 7

Black Movement on Paper No. 2

Black Movement on Paper No. 20

Black Movement on Paper No. 21

Black Movement on Paper No. 22

Black Movement on Paper No. 23

Black Movement on Paper No. 24

Black Movement on Paper No. 25

Black Movement on Paper No. 26

Black Movement on Paper No. 27

Free Movement on Paper No. 8

Free Movement on Paper No. 9

Free Movement on Paper No. 10

Free Movement on Paper No. 13

Free Movement on Paper No. 15

Shards of Movement No. 15

Shards of Movement No. 1

Shards of Movement No. 4

Shards of Movement No. 5

Shards of Movement No. 7

Shards of Movement No. 9

Shards of Movement No. 11

Waveform #3 ~34.4792807,134.0394701

Second example in the Waveform series, in a smaller format, this work reproduces a curve resulting from the measurement of the bioelectrical activity of one of the olive trees planted on the island of Teshima as part of its rehabilitation. The GPS coordinates appearing in the ti…

Waveform #1 ~34.4792807,134.0394701

This unique work reproduces a curve, the result of the bio-electric activity of one of the many olive trees planted on Teshima Island during its rehabilitation. The coordinates mentioned in the title of the work mark the precise location of the olive tree. The ink specially dev…

パチパチ - Pachi Pachi (Round) - Applause

Pachi Pachi is the onomatopoeia used in Japanese for applause (the equivalent of clap-clap in French). Created by a young artist in ink on Washi paper, it conveys the enthusiasm of an audience through the repetition of the characters. One can notice a more or less pronounced ink…

パチパチ　Pachi Pachi (square) - Applause

Pachi Pachi is the onomatopoeia used in Japanese for applause (the equivalent of clap-clap in French). Created by a young artist in ink on Washi paper, it conveys the enthusiasm of an audience through the repetition of the characters. One can notice a more or less pronounced ink…

Children's number - Asobi

Kazumi Okamoto is an artist whose practice has a notable particularity: she develops an approach related to synesthesia, a perceptual phenomenon in which the senses cross and interact. This sensitivity directly influences her creative process: forms and visual rhythms can be conc…

Muimi - The Meaninglessness of the World

Everything we have imagined in order to give meaning is based on the assumption that the world functions within a stable environment. The experience of the COVID pandemic challenged this assumption and the conditions under which meaning emerges. The importance of immaterial dimen…

Forgotten Fruits

Natural #6

“Natural” Series: In the production process, the artist crops her works. This approach is strongly conscious of its kinship with photographic expression, in that it selects and presents a portion of reality. These paintings, which evoke photographs although they were painted with…

Natural #7

“Natural” Series: In the production process, the artist crops her works. This approach is strongly conscious of its kinship with photographic expression, in that it selects and presents a portion of reality. These paintings, which evoke photographs although they were painted with…

Natural #5

“Natural” Series: In the production process, the artist crops her works. This approach is strongly conscious of its kinship with photographic expression, in that it selects and presents a portion of reality. These paintings, which evoke photographs although they were painted with…

Natural #11

“Natural” Series: In the production process, the artist crops her works. This approach is strongly conscious of its kinship with photographic expression, in that it selects and presents a portion of reality. These paintings, which evoke photographs although they were painted with…

Natural #9

“Natural” Series: In the production process, the artist crops her works. This approach is strongly conscious of its kinship with photographic expression, in that it selects and presents a portion of reality. These paintings, which evoke photographs although they were painted with…

Individuality #56

Work inspired by the “Enso,” a symbol of the Zen religion, depicting the Whole, the Universe, without beginning or end. Each work in the Series is different and original

Beyond Imagination - Kaze (Wind)

Anco, whose real name is Mie Okubo, is an artist who works on the concept of memory. This work, entitled “Kaze” (The Wind), seeks to convey the evanescence of memory. Memories fade with time; the signs (the words) are deconstructed, fragmented and carried away by the wind. Superb…

Roppongi

In the spirit of more traditional calligraphy, this work by Issai Tanaka evokes Roppongi, a Tokyo district that has changed considerably in recent years. Roppongi means “The 6 Trees” in Japanese, because the place once consisted of 6 majestic trees, before they were destroyed dur…

DeAi - Inspiring Encounter

Gen Miyamura is one of the most avant-garde calligraphers of his generation. Different series mark his artistic output, some very airy, others more closely tied to the treatment of matter. This is the case with the work presented here. It symbolizes the notion of encounter, both…

Kaze - The Wind

Sachiyo Kaneko is an artist who lives in Spain. Her calligraphic practice is avant-garde, but remains attached to the constitutive signs of Language. This work thus represents the sign of Wind (風 - Kaze). The composition is not without recalling that the artist lives in Spain...…

TESHIMA #1 - 2025.3.29

Abstract figuration of the spring season, based on sounds recorded during this season, set into resonance on a Chladni plate.

TESHIMA #1 2025.8.7

Abstract figuration of the summer season based on sounds recorded during this period, set into resonance on a Chladni plate

TESHIMA #1 - 2025.10.18

Original ink and sand from TESHIMA on paper

TESHIMA #1 - 2025.12.1

Abstract figuration of Winter. Composed from sounds recorded during this season and set into resonance on a Chladni plate, which generated this form. This form was then reproduced by the Artist using ink prepared by the artist.

Non Material Existence G-11 'The plate is empty' & G-12 'Cosmic Dust'

Diptych composed, on one side, of the work "The plate is Empty" and, on the other, of the work "Cosmic Dust." The two works share a "link" at their center that symbolically connects them

Yuka Matsui - Tsuki - The Moon

Calligraphic representation of the Kanji (Japanese character) for the Moon (月) on Paper and Shoji Wood (provided by one of the most renowned craftsmen making traditional Shoji). The round shape of the wooden composition resonates with the Kanji through its circular form.

Yuka Matsui - one of the 36 views of Montagne Sainte Victoire

Magnificent ink work depicting Mont Sainte-Victoire. The wood and paper come from Shoji (paper walls typical of Japan). Here, the artist pays tribute to Paul Cézanne, famous, among other things, for having painted Mont Sainte-Victoire

Study of Movement 25

Black Movement No. 9

Black Movement No. 11

Black Movement No. 17

Black Movement No. 20

Black Movement No. 23

Black Movement No. 25

Black Movement No. 27

Black Movement No. 28

Black Movement No. 29

Black Movement No. 31

Black Movement No. 33

Black Movement No. 34

Dynamics of Movement No. 7

Black movement on paper No. 1

Black Movement on Paper No. 7

Black Movement on Paper No. 2

Black Movement on Paper No. 20

Black Movement on Paper No. 21

Black Movement on Paper No. 22

Black Movement on Paper No. 23

Black Movement on Paper No. 24

Black Movement on Paper No. 25

Black Movement on Paper No. 26

Black Movement on Paper No. 27

Free Movement on Paper No. 8

Free Movement on Paper No. 9

Free Movement on Paper No. 10

Free Movement on Paper No. 13

Free Movement on Paper No. 15

Shards of Movement No. 15

Shards of Movement No. 1

Shards of Movement No. 4

Shards of Movement No. 5

Shards of Movement No. 7

Shards of Movement No. 9

Shards of Movement No. 11

Waveform #3 ~34.4792807,134.0394701

Second example in the Waveform series, in a smaller format, this work reproduces a curve resulting from the measurement of the bioelectrical activity of one of the olive trees planted on the island of Teshima as part of its rehabilitation. The GPS coordinates appearing in the ti…

Waveform #1 ~34.4792807,134.0394701

This unique work reproduces a curve, the result of the bio-electric activity of one of the many olive trees planted on Teshima Island during its rehabilitation. The coordinates mentioned in the title of the work mark the precise location of the olive tree. The ink specially dev…

パチパチ - Pachi Pachi (Round) - Applause

Pachi Pachi is the onomatopoeia used in Japanese for applause (the equivalent of clap-clap in French). Created by a young artist in ink on Washi paper, it conveys the enthusiasm of an audience through the repetition of the characters. One can notice a more or less pronounced ink…

パチパチ　Pachi Pachi (square) - Applause

Pachi Pachi is the onomatopoeia used in Japanese for applause (the equivalent of clap-clap in French). Created by a young artist in ink on Washi paper, it conveys the enthusiasm of an audience through the repetition of the characters. One can notice a more or less pronounced ink…

Children's number - Asobi

Kazumi Okamoto is an artist whose practice has a notable particularity: she develops an approach related to synesthesia, a perceptual phenomenon in which the senses cross and interact. This sensitivity directly influences her creative process: forms and visual rhythms can be conc…

Muimi - The Meaninglessness of the World

Everything we have imagined in order to give meaning is based on the assumption that the world functions within a stable environment. The experience of the COVID pandemic challenged this assumption and the conditions under which meaning emerges. The importance of immaterial dimen…

Forgotten Fruits

Natural #6

“Natural” Series: In the production process, the artist crops her works. This approach is strongly conscious of its kinship with photographic expression, in that it selects and presents a portion of reality. These paintings, which evoke photographs although they were painted with…

Natural #7

“Natural” Series: In the production process, the artist crops her works. This approach is strongly conscious of its kinship with photographic expression, in that it selects and presents a portion of reality. These paintings, which evoke photographs although they were painted with…

Natural #5

“Natural” Series: In the production process, the artist crops her works. This approach is strongly conscious of its kinship with photographic expression, in that it selects and presents a portion of reality. These paintings, which evoke photographs although they were painted with…

Natural #11

“Natural” Series: In the production process, the artist crops her works. This approach is strongly conscious of its kinship with photographic expression, in that it selects and presents a portion of reality. These paintings, which evoke photographs although they were painted with…

Natural #9

“Natural” Series: In the production process, the artist crops her works. This approach is strongly conscious of its kinship with photographic expression, in that it selects and presents a portion of reality. These paintings, which evoke photographs although they were painted with…

Individuality #56

Work inspired by the “Enso,” a symbol of the Zen religion, depicting the Whole, the Universe, without beginning or end. Each work in the Series is different and original

Beyond Imagination - Kaze (Wind)

Anco, whose real name is Mie Okubo, is an artist who works on the concept of memory. This work, entitled “Kaze” (The Wind), seeks to convey the evanescence of memory. Memories fade with time; the signs (the words) are deconstructed, fragmented and carried away by the wind. Superb…

Roppongi

In the spirit of more traditional calligraphy, this work by Issai Tanaka evokes Roppongi, a Tokyo district that has changed considerably in recent years. Roppongi means “The 6 Trees” in Japanese, because the place once consisted of 6 majestic trees, before they were destroyed dur…

DeAi - Inspiring Encounter

Gen Miyamura is one of the most avant-garde calligraphers of his generation. Different series mark his artistic output, some very airy, others more closely tied to the treatment of matter. This is the case with the work presented here. It symbolizes the notion of encounter, both…

Kaze - The Wind

Sachiyo Kaneko is an artist who lives in Spain. Her calligraphic practice is avant-garde, but remains attached to the constitutive signs of Language. This work thus represents the sign of Wind (風 - Kaze). The composition is not without recalling that the artist lives in Spain...…

TESHIMA #1 - 2025.3.29

Abstract figuration of the spring season, based on sounds recorded during this season, set into resonance on a Chladni plate.

TESHIMA #1 2025.8.7

Abstract figuration of the summer season based on sounds recorded during this period, set into resonance on a Chladni plate

TESHIMA #1 - 2025.10.18

Original ink and sand from TESHIMA on paper

TESHIMA #1 - 2025.12.1

Abstract figuration of Winter. Composed from sounds recorded during this season and set into resonance on a Chladni plate, which generated this form. This form was then reproduced by the Artist using ink prepared by the artist.

Non Material Existence G-11 'The plate is empty' & G-12 'Cosmic Dust'

Diptych composed, on one side, of the work "The plate is Empty" and, on the other, of the work "Cosmic Dust." The two works share a "link" at their center that symbolically connects them

Yuka Matsui - Tsuki - The Moon

Calligraphic representation of the Kanji (Japanese character) for the Moon (月) on Paper and Shoji Wood (provided by one of the most renowned craftsmen making traditional Shoji). The round shape of the wooden composition resonates with the Kanji through its circular form.

Yuka Matsui - one of the 36 views of Montagne Sainte Victoire

Magnificent ink work depicting Mont Sainte-Victoire. The wood and paper come from Shoji (paper walls typical of Japan). Here, the artist pays tribute to Paul Cézanne, famous, among other things, for having painted Mont Sainte-Victoire

Study of Movement 25

Black Movement No. 9

Black Movement No. 11

Black Movement No. 17

Black Movement No. 20

Black Movement No. 23

Black Movement No. 25

Black Movement No. 27

Black Movement No. 28

Black Movement No. 29

Black Movement No. 31

Black Movement No. 33

Black Movement No. 34

Dynamics of Movement No. 7

Black movement on paper No. 1

Black Movement on Paper No. 7

Black Movement on Paper No. 2

Black Movement on Paper No. 20

Black Movement on Paper No. 21

Black Movement on Paper No. 22

Black Movement on Paper No. 23

Black Movement on Paper No. 24

Black Movement on Paper No. 25

Black Movement on Paper No. 26

Black Movement on Paper No. 27

Free Movement on Paper No. 8

Free Movement on Paper No. 9

Free Movement on Paper No. 10

Free Movement on Paper No. 13

Free Movement on Paper No. 15

Shards of Movement No. 15

Shards of Movement No. 1

Shards of Movement No. 4

Shards of Movement No. 5

Shards of Movement No. 7

Shards of Movement No. 9

Shards of Movement No. 11

Waveform #3 ~34.4792807,134.0394701

Second example in the Waveform series, in a smaller format, this work reproduces a curve resulting from the measurement of the bioelectrical activity of one of the olive trees planted on the island of Teshima as part of its rehabilitation. The GPS coordinates appearing in the ti…

Waveform #1 ~34.4792807,134.0394701

This unique work reproduces a curve, the result of the bio-electric activity of one of the many olive trees planted on Teshima Island during its rehabilitation. The coordinates mentioned in the title of the work mark the precise location of the olive tree. The ink specially dev…

パチパチ - Pachi Pachi (Round) - Applause

Pachi Pachi is the onomatopoeia used in Japanese for applause (the equivalent of clap-clap in French). Created by a young artist in ink on Washi paper, it conveys the enthusiasm of an audience through the repetition of the characters. One can notice a more or less pronounced ink…

パチパチ　Pachi Pachi (square) - Applause

Pachi Pachi is the onomatopoeia used in Japanese for applause (the equivalent of clap-clap in French). Created by a young artist in ink on Washi paper, it conveys the enthusiasm of an audience through the repetition of the characters. One can notice a more or less pronounced ink…

Children's number - Asobi

Kazumi Okamoto is an artist whose practice has a notable particularity: she develops an approach related to synesthesia, a perceptual phenomenon in which the senses cross and interact. This sensitivity directly influences her creative process: forms and visual rhythms can be conc…

Muimi - The Meaninglessness of the World

Everything we have imagined in order to give meaning is based on the assumption that the world functions within a stable environment. The experience of the COVID pandemic challenged this assumption and the conditions under which meaning emerges. The importance of immaterial dimen…

Forgotten Fruits

Natural #6

“Natural” Series: In the production process, the artist crops her works. This approach is strongly conscious of its kinship with photographic expression, in that it selects and presents a portion of reality. These paintings, which evoke photographs although they were painted with…

Natural #7

“Natural” Series: In the production process, the artist crops her works. This approach is strongly conscious of its kinship with photographic expression, in that it selects and presents a portion of reality. These paintings, which evoke photographs although they were painted with…

Natural #5

“Natural” Series: In the production process, the artist crops her works. This approach is strongly conscious of its kinship with photographic expression, in that it selects and presents a portion of reality. These paintings, which evoke photographs although they were painted with…

Natural #11

“Natural” Series: In the production process, the artist crops her works. This approach is strongly conscious of its kinship with photographic expression, in that it selects and presents a portion of reality. These paintings, which evoke photographs although they were painted with…

Natural #9

“Natural” Series: In the production process, the artist crops her works. This approach is strongly conscious of its kinship with photographic expression, in that it selects and presents a portion of reality. These paintings, which evoke photographs although they were painted with…

Individuality #56

Work inspired by the “Enso,” a symbol of the Zen religion, depicting the Whole, the Universe, without beginning or end. Each work in the Series is different and original

Beyond Imagination - Kaze (Wind)

Anco, whose real name is Mie Okubo, is an artist who works on the concept of memory. This work, entitled “Kaze” (The Wind), seeks to convey the evanescence of memory. Memories fade with time; the signs (the words) are deconstructed, fragmented and carried away by the wind. Superb…

Roppongi

In the spirit of more traditional calligraphy, this work by Issai Tanaka evokes Roppongi, a Tokyo district that has changed considerably in recent years. Roppongi means “The 6 Trees” in Japanese, because the place once consisted of 6 majestic trees, before they were destroyed dur…

DeAi - Inspiring Encounter

Gen Miyamura is one of the most avant-garde calligraphers of his generation. Different series mark his artistic output, some very airy, others more closely tied to the treatment of matter. This is the case with the work presented here. It symbolizes the notion of encounter, both…

Kaze - The Wind

Sachiyo Kaneko is an artist who lives in Spain. Her calligraphic practice is avant-garde, but remains attached to the constitutive signs of Language. This work thus represents the sign of Wind (風 - Kaze). The composition is not without recalling that the artist lives in Spain...…

TESHIMA #1 - 2025.3.29

Abstract figuration of the spring season, based on sounds recorded during this season, set into resonance on a Chladni plate.

TESHIMA #1 2025.8.7

Abstract figuration of the summer season based on sounds recorded during this period, set into resonance on a Chladni plate

TESHIMA #1 - 2025.10.18

Original ink and sand from TESHIMA on paper

TESHIMA #1 - 2025.12.1

Abstract figuration of Winter. Composed from sounds recorded during this season and set into resonance on a Chladni plate, which generated this form. This form was then reproduced by the Artist using ink prepared by the artist.

Non Material Existence G-11 'The plate is empty' & G-12 'Cosmic Dust'

Diptych composed, on one side, of the work "The plate is Empty" and, on the other, of the work "Cosmic Dust." The two works share a "link" at their center that symbolically connects them

Yuka Matsui - Tsuki - The Moon

Calligraphic representation of the Kanji (Japanese character) for the Moon (月) on Paper and Shoji Wood (provided by one of the most renowned craftsmen making traditional Shoji). The round shape of the wooden composition resonates with the Kanji through its circular form.

Yuka Matsui - one of the 36 views of Montagne Sainte Victoire

Magnificent ink work depicting Mont Sainte-Victoire. The wood and paper come from Shoji (paper walls typical of Japan). Here, the artist pays tribute to Paul Cézanne, famous, among other things, for having painted Mont Sainte-Victoire

Study of Movement 25

Black Movement No. 9

Black Movement No. 11

Black Movement No. 17

Black Movement No. 20

Black Movement No. 23

Black Movement No. 25

Black Movement No. 27

Black Movement No. 28

Black Movement No. 29

Black Movement No. 31

Black Movement No. 33

Black Movement No. 34

Dynamics of Movement No. 7

Black movement on paper No. 1

Black Movement on Paper No. 7

Black Movement on Paper No. 2

Black Movement on Paper No. 20

Black Movement on Paper No. 21

Black Movement on Paper No. 22

Black Movement on Paper No. 23

Black Movement on Paper No. 24

Black Movement on Paper No. 25

Black Movement on Paper No. 26

Black Movement on Paper No. 27

Free Movement on Paper No. 8

Free Movement on Paper No. 9

Free Movement on Paper No. 10

Free Movement on Paper No. 13

Free Movement on Paper No. 15

Shards of Movement No. 15

Shards of Movement No. 1

Shards of Movement No. 4

Shards of Movement No. 5

Shards of Movement No. 7

Shards of Movement No. 9

Shards of Movement No. 11

Waveform #3 ~34.4792807,134.0394701

Second example in the Waveform series, in a smaller format, this work reproduces a curve resulting from the measurement of the bioelectrical activity of one of the olive trees planted on the island of Teshima as part of its rehabilitation. The GPS coordinates appearing in the ti…

Waveform #1 ~34.4792807,134.0394701

This unique work reproduces a curve, the result of the bio-electric activity of one of the many olive trees planted on Teshima Island during its rehabilitation. The coordinates mentioned in the title of the work mark the precise location of the olive tree. The ink specially dev…

パチパチ - Pachi Pachi (Round) - Applause

Pachi Pachi is the onomatopoeia used in Japanese for applause (the equivalent of clap-clap in French). Created by a young artist in ink on Washi paper, it conveys the enthusiasm of an audience through the repetition of the characters. One can notice a more or less pronounced ink…

パチパチ　Pachi Pachi (square) - Applause

Pachi Pachi is the onomatopoeia used in Japanese for applause (the equivalent of clap-clap in French). Created by a young artist in ink on Washi paper, it conveys the enthusiasm of an audience through the repetition of the characters. One can notice a more or less pronounced ink…

Children's number - Asobi

Kazumi Okamoto is an artist whose practice has a notable particularity: she develops an approach related to synesthesia, a perceptual phenomenon in which the senses cross and interact. This sensitivity directly influences her creative process: forms and visual rhythms can be conc…

Muimi - The Meaninglessness of the World

Everything we have imagined in order to give meaning is based on the assumption that the world functions within a stable environment. The experience of the COVID pandemic challenged this assumption and the conditions under which meaning emerges. The importance of immaterial dimen…

Forgotten Fruits

Natural #6

“Natural” Series: In the production process, the artist crops her works. This approach is strongly conscious of its kinship with photographic expression, in that it selects and presents a portion of reality. These paintings, which evoke photographs although they were painted with…

Natural #7

“Natural” Series: In the production process, the artist crops her works. This approach is strongly conscious of its kinship with photographic expression, in that it selects and presents a portion of reality. These paintings, which evoke photographs although they were painted with…

Natural #5

“Natural” Series: In the production process, the artist crops her works. This approach is strongly conscious of its kinship with photographic expression, in that it selects and presents a portion of reality. These paintings, which evoke photographs although they were painted with…

Natural #11

“Natural” Series: In the production process, the artist crops her works. This approach is strongly conscious of its kinship with photographic expression, in that it selects and presents a portion of reality. These paintings, which evoke photographs although they were painted with…

Natural #9

“Natural” Series: In the production process, the artist crops her works. This approach is strongly conscious of its kinship with photographic expression, in that it selects and presents a portion of reality. These paintings, which evoke photographs although they were painted with…