“Natural” Series: In the production process, the artist crops her works. This approach is strongly conscious of its kinship with photographic expression, in that it selects and presents a portion of reality. These paintings, which evoke photographs although they were painted with a brush, are devices that lead us to reconsider what the “real” is and what current events are.

As the boundaries between humans and nature, between recording and reality, are shaken, what do we consider to be “truth”?

“Natural” Series: In the production process, the artist crops her works. This approach is strongly conscious of its kinship with photographic expression, in that it selects and presents a portion of reality. These paintings, which evoke photographs although they were painted with a brush, are devices that lead us to reconsider what the “real” is and what current events are.

As the boundaries between humans and nature, between recording and reality, are shaken, what do we consider to be “truth”?

“Natural” Series: In the production process, the artist crops her works. This approach is strongly conscious of its kinship with photographic expression, in that it selects and presents a portion of reality. These paintings, which evoke photographs although they were painted with a brush, are devices that lead us to reconsider what the “real” is and what current events are.

As the boundaries between humans and nature, between recording and reality, are shaken, what do we consider to be “truth”?

“Natural” Series: In the production process, the artist crops her works. This approach is strongly conscious of its kinship with photographic expression, in that it selects and presents a portion of reality. These paintings, which evoke photographs although they were painted with a brush, are devices that lead us to reconsider what the “real” is and what current events are.

As the boundaries between humans and nature, between recording and reality, are shaken, what do we consider to be “truth”?