Gen Miyamura is one of the most avant-garde calligraphers of his generation. Different series mark his artistic output, some very airy, others more closely tied to the treatment of matter. This is the case with the work presented here. It symbolizes the notion of encounter, both through the work on Washi paper, whose folds, deliberately created by the artist, converge toward the center of the work, and through the ink, whose 2 parts are worked so as to give the impression of drawing closer together.

Gen Miyamura is one of the most avant-garde calligraphers of his generation. Different series mark his artistic output, some very airy, others more closely tied to the treatment of matter. This is the case with the work presented here. It symbolizes the notion of encounter, both through the work on Washi paper, whose folds, deliberately created by the artist, converge toward the center of the work, and through the ink, whose 2 parts are worked so as to give the impression of drawing closer together.

Gen Miyamura is one of the most avant-garde calligraphers of his generation. Different series mark his artistic output, some very airy, others more closely tied to the treatment of matter. This is the case with the work presented here. It symbolizes the notion of encounter, both through the work on Washi paper, whose folds, deliberately created by the artist, converge toward the center of the work, and through the ink, whose 2 parts are worked so as to give the impression of drawing closer together.

Gen Miyamura is one of the most avant-garde calligraphers of his generation. Different series mark his artistic output, some very airy, others more closely tied to the treatment of matter. This is the case with the work presented here. It symbolizes the notion of encounter, both through the work on Washi paper, whose folds, deliberately created by the artist, converge toward the center of the work, and through the ink, whose 2 parts are worked so as to give the impression of drawing closer together.